Another early start. Having collected our stickers, we sit and wait for dispatch. The chap is mentioning a dress code for those visiting the Vatican. Dress code? I booked our tour so long ago that I can’t even remember if it includes the Vatican. Knees must be covered. My companion is wearing shorts. There is no time to go back to remedy this. We resolve to wait and see what happens. I may have to abandon him by the side of the road. On leaving the ship, I get caught by the ever-present cruise photographers and end up forcibly posed with a Roman soldier. A waste of time as there is no way I am going to pay the ridiculous prices charged for cruise photos.
We are moored at Civitavecchia, which means ‘old town’ and is the port that serves Rome. It consists of a Medieval fortress commissioned by Pope Julius II and for which Michelangelo (he gets everywhere) was partly responsible. Today’s guide is Sabina. We point out our failure to be aware of a dress code. Our tickets warn us we need to be able to walk on cobbles, you’d think there would have been some kind of reminder about appropriate attire but no. Apparently it was in the small print in the cruise brochure that I had uncharacteristically failed to read. I was expecting to have to have my head covered in Catholic churches but this no longer seems to be a requirement. I had not factored in the possible offence caused by my companion’s knees. We briefly consider and dismiss, the idea of swapping trousers. By dint of lowering the waistband of his shorts to mid-buttock level, in a manner much beloved of today’s youth, the knees are hidden. Sabina thinks we will pass muster.
We drive towards Rome. They have a problem with graffiti and like any other major city, there are rough sleepers and beggars. The twelve mile long city wall contains fourteen gates; 80% of the walls remain. Once on foot, Sabina sets off at a cracking pace towards the Circus Maximus and the Constantine Arch, erected in 315 following the battle of Milvain Bridge to commemorate the slaying of 5000 enemies; one wonders who counted. We see the Colosseum, which is a nickname for the Flavian amphitheatre and which originally consisted of three concentric rings. There are many holes in the stonework, where, over the centuries, metal supports have been removed for ‘recycling’. Spectators were assigned a tier according to their social class, with women often being relegated to the top tier, unless they were accompanying their senator husbands. The entrance arches or fornix, were where ladies of the night lingered, seeking customers, giving us our word fornication.
Entertainments, or ‘munera’ were an all-day affair with parades, the public execution of criminals, games and finally gladiatorial combat. These spectacles were free, with the intention of securing the support of the population for the current emperor and to emphasise his status. The working life of a gladiator was about five years, during which time they might only perform ten times. After this, successful fighters could gain their liberty. The idea that the audience put their thumbs up or down, to indicate whether a losing combatant should be saved, is a myth. The fist is raised, either with the thumb hidden, or the thumb stuck out to the side, the latter indicating the executioner’s knife blade. The last human combat was in 401 and the final animal fight in 521.
We hurtle off to the Basilica di San Pietro in Vinocoli – St Peter in Chains, where what purport to be the original chains that held St. Peter are kept. Also known as Basilica Eudoxiana, it was built in the fifth century. It had many restorations, Pope Julius II again. Michelangelo’s Illumination of Moses is here. There are a number of buskers. I am taken with the accordion player who switches from Funiculi Funicula (a tune reminiscent of my childhood as it featured on an oft-played LP) to Jingle Bells as we pass, possibly in honour of Chris. There is also someone with a three stringed double-bass and a didgeridoo player, which is impressive, if culturally incongruous.
Our next stop is the Forum, where we encounter many young climate change protestors. They don’t get the best of press but personally, I am grateful that so many young people are passionate and engaged. The six vestal virgins were tasked to keep the eternal flame burning in the Temple of Vesta, which is part of the Forum. We see the Temple of Saturn and the Red or Burnished Palace where Mussolini gave his famous speech. On this tour, lunch is provided, which has the advantage that we also get free toilet facilities. We are given salad, lasagne and a filo pastry dessert.

The afternoon is spent in the Vatican and no problems are created by the shorts-length of my travelling companion. The Vatican covers 120 acres, making it the smallest independent state in the world. Its sixteenth century walls were constructed to withstand gunpowder. It was given the status of a separate state in 1929. The Vatican is home to the Pope and 400 cardinals and the official language is Latin. Even the instructions on the ATM are in Latin. Unfortunately I could not find this in order to photograph it. The Vatican Museum, with 2000 rooms, is the second largest in Europe and gets 30,000 visitors a day. They are not wrong; it is certainly hot and crowded. We are whisked round some of the Museum at break-neck speed, in the tourist sausage machine that is characteristic of cruise ship excursions. Unbelievably, we are walking on original Roman mosaics on occasion. There are wonderful painted ceilings and plenty of statuary, as well as fifteenth century Flemish tapestries that were completed at a speed of one square metre per person per year. How does anyone know this?
The world-famous Sistine Chapel was commissioned by Pope Sixtus IV in 1278. It underwent extensive repairs when the walls began to crumble shortly afterwards. The walls were painted to show the story of Moses and of Jesus in 1481-3. It took Mr Buonarroti aka Michelangelo four years, working alone, to paint the frescos on the ceiling. No photographs are allowed because, in return for the funds for the recent cleaning, using distilled water, of Michelangelo’s work, Fuji required the copyright on the images. Nevertheless I observe at least four people shamelessly photographing. Even more astoundingly, a family are handing round chocolate bars to their offspring. The renovation took fourteen years and was finished in 1994. The discolouration over the centuries was largely due to candle smoke. A few squares have been left uncleaned and you can certainly see the contrast. Interestingly, his panel of the Fall of Man shows Eve tempting Adam not with an apple but with a fig. We learn about the use of the Sistine Chapel for the papal enclave, when a new pope is being elected.
There is a general press of the great unwashed as we tour the Vatican. There are also plenty of illegal street sellers and manic moped riders. We visit St. Peter’s Basilica, which took 122 years to build, being completed in 1626. All churches in Italy are free to enter, unlike our English Cathedrals. Only the Pope can celebrate mass at the High Altar. Here we see Michelangelo’s Pieta, his only signed work. It is protected by bullet-proof glass following damage in a hammer attack in the 1970s. There is also a fourteenth century statue of St Peter and the last Stuart tomb. There are no paintings but instead 10,000 square metres of mosaics. The Swiss Guard, in rather flamboyant uniforms, are responsible for guarding the Vatican as they have no army of their own.
Our evening talk is Michelle on the exodus to the Southern seas, which I have heard before but which is just as good at second hearing.