Semester two is now well underway and the focus has turned from incomprehensible reading to the first assignment of this module. Writing an essay was so last term; now we are creating presentations. I have to choose a ‘thing’ and tell its story. There’s a bit more to it than that but broadly that’s it. Given that I can pick absolutely anything, the choice is not easy. It was always going to be something of family significance but I am fortunate that I have several things to choose from, so decisions had to be made.

Should it be the patchwork quilt begun by my great grand-mother in the 1880s and worked on by three further generations since? Given that each patch has its own story that would be too complex. I have a slide limit of five for this and one of those has to be the title. What about one of two Victorian christening gowns, or my mother’s wedding dress, made by hand from a parachute? As I write this, I am so tempted to change my mind! Then there’s my grandfather’s long service watch, great granny’s christening mug or one of the artefacts brought back by my great-grandfather from a tea-buying trip to China and India. Maybe once the assignment is done, I will tell all these stories too.

For now though, I have decided to tell the story of Caroline Jessie’s locket. I met Caroline Jessie, possibly only once but I can clearly remember her sitting in a chair in her parlour, alongside two of her sisters. I would have been seven or eight at the time. I have several reasons for finally opting for this particular heirloom. To begin with, Caroline Jessie has no descendants. Her closest living relatives* are seven first cousins twice removed, of which I am one. If one of us doesn’t tell her story who will? This particular item didn’t just belong to a family member, it was made by one. Caroline Jessie’s father was a silversmith and made each of his five daughters a similar locket. The fact that this is one of a collection of five, is another fascinating part of its story.

So far, I have learnt how to tell if something is silver. In this case there is no hallmark to help as it wasn’t sold on the open market, or indeed at all. One suggestion involves putting ice cubes on it, which seems a little bizarre. I am glossing over the fact that I don’t know where the silver was mined, or what processes are involved turning what comes out of the ground into the object I now have. I have got gloriously side-tracked researching the silversmiths’ company for whom Caroline Jessie’s father worked. It seems it was very well-known and co-incidentally, the founder shares a name with one of my grandsons.

I shall now be encouraging people to tell their own stories, tell the stories of their ancestors AND to tell the stories of family heirlooms. I will need several lifetimes.

* In the interests of genealogical accuracy, I should add that there could be great great half nieces and nephews in America, who might be regarded as being closer living relatives but I am not in contact with any of them and the English and American branches of the family seem to have lost contact in the 1920s.