Day fourteen of the ‘advent calendar’ focusing on some of the historical/genealogical sources that I used in the writing of Barefoot on the Cobbles.
Two of the longest chapters in the novel are set in war-time Torquay. Torquay was the home-town of the crime writer Agatha Christie. She does make an appearance in the book, although you might not recognise her. Like my character, Winnie, Agatha worked at the Town Hospital in Torquay, nursing convalescent servicemen. The BBC website includes a recording, in which Agatha reminisces about Torquay during the First World War. There are additional links that give further information about life in Torquay at the time.
More information about Barefoot on the Cobbles can be found here. Copies are available at various events and at all my presentations. You can order from Blue Poppy Publishing or directly from me. Kindle editions are available for those in the UK, USA, Australasia and Canada.
A novel about a coastal community is bound to include characters who were in the merchant service and Barefoot is no exception. I was fortunate to have access to the seaman’s log, that had been handed down in the family, for one of the characters. This gave personal details, a description, a photograph and details of the various ships on which he served. In this way, I knew exactly which ship he was on at the end of the war, where he had been, where and when he docked and the name of the captain. I also used the seaman’s records on 
Getting the timing correct is important when writing an historical novel. Firstly, I needed to make sure I knew the day of the week when certain events took place. There a number of perpetual calendars online but my favourite is
When I decided that Daisy and Winnie would pay a visit to the ‘picture palace’, I was aiming to reflect the increasing popularity of the cinema at the time. Having chosen the appropriate main feature and ‘B’ film, that might have been shown, I decided to add a newsreel. These three elements would have been the norm in the early twentieth century and indeed for several decades afterwards. In order to pick the correct newsreel for the date, I turned to the
Many of the characters in Barefoot in the Cobbles living in the countryside or earn their living from the sea. The impact of the weather was immense. I was determined to reflect the actual weather conditions of the time. Fortunately, thanks to the Met Office,
To gain a better understanding of life as a Voluntary Aid Detachment (VAD) nurse, I re-read Vera Brittain’s Chronicle of Youth and Testament of Youth. Of course Vera is very much middle-class and Daisy and Winnie’s childhoods would have been very different. In addition, much of Vera’s service was overseas and my nurses were in Torquay but it was still useful to gain and insight into the training and duties. Unexpectedly, I was also able to make use of these books, to immerse myself in language and turns of phrase of the early twentieth century. This threw up the issue of whether or not Daisy and Winnie would have addressed each other by their christian names. In Vera Brittain’s world, the ladies waited for permission before abandoning Miss ……. . I decided that this might be different for young, working-class women, so it was ‘Daisy’ and ‘Winnie’ from the outset.
I had chosen the character who was to be my vehicle for portraying the battlefields of the Great War. It turned out the the campaign in which he was involved was not one of the more famous ones, unless you are Australian. The Battles of Fromelles features prominently in the Australian narrative because there were huge numbers of ANZAC casualties. Most of the books are written from the Australian point of view and for a secondary account, I relied most heavily on Paul Cobb’s
Writing a novel that is set in the early twentieth century means that there are a number of fascinating issues that can be explored; the fight for women’s suffrage is just one of these. By chance, suffragette activity in the area presented me with the opportunity to weave the campaign seamlessly into the novel. The excellent 